Thirty minutes before the start of the Marc Jacobs show, the models were lined up and waiting. Mr. Jacobs, in a formal mood, was wearing a three-piece suit but had removed the jacket. Out front, where the floor and specially built walls were covered with brown cardboard, giving the aura of a
And so all was calm at
On Monday night, though, the music was a remix of “Over the Rainbow,” from “
“Did you like it?” Mr. Jacobs asked guests backstage. “It’s beautiful, right?”
Yes, Mr. Jacobs, it was beautiful.
Part of the tug of “Over the Rainbow” is that it’s an American ballad, written by E. Y. Harburg, known as Yip, and that seemed to be Mr. Jacobs’s idea — to create a buoyant American collection.
His timing couldn’t be better. American
If the spirit of American fashion is modernism, Mr. Jacobs seemed to approach that ideal in at least two ways — through a neutral palette, with flashes of bitter yellow, that evoke modern interiors free of Old World clutter, and in the modest, relaxed line of the clothes. The majority of the skirts and coats, in wools and double-faced cashmere, were A-line and hemmed below the knee. A sleeveless taupe blouse with a streaming sailor tie appeared with a wool kilt in a slightly warmer tone, the wool cut in window slats and inset with chiffon. By raising the center of a peacoat and pinching the back, he gave the classic shape a new, flattering silhouette.
Probably he has shown pantsuits before, but two in putty gray looked just right. The collection was loaded with fur, piled at wrist and neck and sometimes treated as a top, but it also appeared in a checked pattern for a plain shell and rounded skirt. You’d think it was tweed.
A trip to a Texas border town, seeing factory employees walk to work half asleep, gave Kate and Laura Mulleavy of Rodarte the concept of a young woman dressing herself in the dark, using short and long lengths of fabric, washed-out florals and highly textured knits that also looked haphazard.
Yet, while some of the constructions were beautiful, the concept rapidly wore thin, and perhaps it was not developed enough.
*article taken from here*
I was bummed/gutted that I missed the LIVE show online for my incompetent web browser but oh well, I am sure I'll be able to find the video somewhere, say on youtube. I definitely love the palette of colors used by Marc Jacobs and of course lovin' most of the handbags that he sent down the runway. Boxy and vintage with the padlock, in exotics no less. Oh Marc, you just know how to steal my heart!
I shall post detail pics of the aforementioned handbags in another post. A week of snowcation has made me productive blogging minus the long weekend that I was away in Long Island for the Lunar New Year. Now that things are back to normal i.e. work, I shall try my best to update whenever possible!
Plaintiffs accuse Defendants of selling tote bags that “bear trade dress that unlawfully copies or imitates Plaintiffs’ unique, distinctive, and non-functional Marc Jacobs Pretty Nylon Tote Trade Dress and/or that unlawfully bear marks confusingly similar to the Marc Jacobs Scrambled Trademark.” In addition, Plaintiffs assert claims for unfair competition under Cal. Bus. & Prof. Code § 17200 and constructive trust.
Since the parties’ products apparently bear their respective trademarks, it will be interesting to see if customers are confused about the source of the products. See Bristol-Myers Squibb Co. v. McNeil-P.P.C., Inc., 973 F.2d 1033, 1045-46 (2nd Cir. 1992) (holding that prominently displayed trade names on the respective products "weigh[ed] heavily against a finding of consumer confusion resulting from the overall look of the packaging") (preliminary injunction denied).
The case is Marc Jacobs Trademarks, LLC et al. v. Eagles Clubs International, Inc., et al., CV10-00456 CBM (C.D. Cal. 2010).
